THE Art
OF PORTRAITURE
Brian Finn works in pencil, black and white, all line and light. Portraits shaped by music, sports, and street culture are rendered with photoreal precision and a human pulse. Each original is signed, dated, and stamped; limited giclée prints (editions of 100) bring the work to museum-quality paper with optional framing. Montreal-made, created to live with.
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About
Brian Finn works in graphite with deliberate restraint. The drawing begins as geometry and rhythm, angles, planes, intervals, then resolves into light. The trademark “white dot” in the pupil is not decoration; it’s the pivot of attitude. Move it a millimeter and the gaze shifts from defiant to reflective. Photorealism becomes expressive when the hand shows through: edges breathe, textures suggest. The result is a form of hyperrealism rooted in observation and street-level culture.